![]() ![]() With version 4, each clip had a gain handle that you could pull up and down, and fade handles at the top corners for creating a basic volume envelope. There's been a very welcome change to how the gain of clips is handled. PreSonus have paid attention to their diverse user base and brought in a superb range of new features worthy of a major update. I guess they felt they nailed it with version 4 so why waste development time trying to improve upon perfection? Moving along, then. There's a tiny bit of rejigging in the Inspector channel strip and the addition of the Show button, but otherwise there are no discernible changes. When you open up this fresh new version you're greeted with the comfortingly familiar sight of exactly the same interface. We have mixer scenes and a listening bus in the console for the studio people, we have score writing and MPE editing for the composers, we have a whole new Show Page for live performers and a new way of paying for it in the PreSonus Sphere. Where some DAWs have a definitive focus, Studio One would like to be all things to all people, and so with version 5 it has something for everyone. It's been 10 years since Studio One first appeared as a spunky little DAW with ambitious hopes of poaching users from the long-toothed platforms of Cubase, Logic and Pro Tools. Studio One continues to battle the big hitters with a broad range of enhancements and new features. A dedicated Listen bus lets you monitor Solo signals through a separate channel, or use it to tune your room with calibration plug-ins while leaving the main mix unaffected.The main GUI is unchanged but some of the plug‑ins have had a facelift. This sounds ideal for when you feel like making major tweaks to a mix while having the option to revert back to the original configuration. ![]() ![]() With Studio One 5, producers can now capture snapshots of the mixer section and recall snapshots with a variety of recall options. The Pro EQ plug-in gets its own update, with a linear-phase low-cut filter, 12th-octave spectrum display, and input and output meters with adjustable range and peak hold. Dynamic effects have been given sidechain inputs, and effects with a filter option can have the filter added to the sidechain input too.Įffects with a drive function now sound even better with a State Space Modeled drive stage, offering “analogue-sounding saturation”, PreSonus says. Studio One’s Native Effects plug-ins have been given a “major revision”, according to PreSonus, with new features and improvements, plus some interface redesigns that offer dark and light themes. Studio One 5 also brings support for key switch articulations, chasing external timecode (MTC) and 64-bit recording. This is ideal if you have a section of audio that isn’t consistent with the rest of the recording. There’s also Clip Gain Envelopes, which give you additional layers of gain control that can be applied directly on an audio clip. This means that whether you’re working on just a melody line or an entire orchestral section, you needn’t swap between multiple windows and channels.įurther expression can be applied to virtual instruments with MPE and MIDI Poly Pressure support for compatible controllers. ![]() You can either use it on its own or as a companion to Piano and Drum views, sitting side-by-side. Using PreSonus’ Notion music composition software, Score View gives you access to multiple staves for every track, with any number of tracks viewable at one time. Studio One 5 introduces a Score View for the Note Editor, which should please composers and arrangers working in-the-box. ![]()
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